(1) EDITORIAL: Russia, the Eternal Morass
(2) Russia and Stalin, Explaining the Phenomenon
(3) Putin's "Divide and Conquer" Approach to Human Rights
(5) Racism out of Control in Moscow
Last week the New York Times blog The Lede reported on how Russians were being mauled by their national symbol, the brown bear. A wolf pack of 30 bears is running wild in Kamchatka and has already killed and eaten two people. The Lede reported that "people in the region have been forced to cower in their homes waiting for hunters to dispose of the animals, which can stand 10 feet tall and weigh up to 1,500 pounds." Three others have been killed on Sakhalin Island. The reason? "A sharp decline in salmon, their traditional food, due to poaching has forced them to seek out other food sources, as more and more unfortunate people have come to discover." In other words, the utter failure of public policy.
The first commenter on the story spoke in the loud, clear terms of the insane Russophile, a perfect encapsulation of what is wrong with Russia as a country:
The New York Times is always so negative about Russia! So what that the bears eat people? They are beautiful, majestic creatures who inspire Russia and Russians. Do bears not eat people in America!? You also couldn’t help but draw a parallel between killer bears and United Russia…again, negative muckraking! I implore you CIA sponsored “journalists” to stop implying that United Russia gobbles up other parties like a hungry beast. Write about something positive, like Putin’s pecs.
That's right: Russians (and especially Russophile sychopants of Vladimir Putin) want this story ignored. Far from being a cause to criticize the authorities and call for reform to save lives, Russians want the whole thing swept under the carpet. As long as bears eat Americans, it seems, Russians have no problem with being consumed themselves.
And yet, if you were to suggest to a Russian that his nation's lack of contested elections, opposition parties and major media criticism of the regime comes up far short on the democracy scale when compared to the United States, Russians would then say that Russia is "different country" that can't be compared to America.
Meanwhile, do you think this commenter, or any member of the psychopathic Russophile set, ever makes such comments about the things written about America by state-controlled Russian media? Do they ever speak unfairly and inaccurately about America? Does Vladimir Putin ever do so? When, dear reader, was the last time you heard Mr. Putin give America a compliment? Aren't his remarks about America "always so negative," to quote a Russophile?
This kind of childish, impulsive "reasoning" characterizes Russian society from top to bottom. Rather than admit any fault, they would prefer to have all problems ignored. When convenient, they compare themselves to America. When not, they contend only a Russophobe would do so.
Exactly this kind of "thinking" destroyed the USSR root and branch. The Politburo was incapable of accepting any responsibility for any fault, and instead simply blamed all problems on misfortune and foreign intrigue. No reform was undertaken until the nation was in its final throes, and even then the measures were half-hearted and totally unsuccessful. As a result, the USSR collapsed.
And how did Russians respond, seeing that collapse? They merrily and blithely returned the KGB to power, the very same KGB that had shipped off so many souls to the Gulag archipelago, wiping out Russia's best and brightest with relish, squashing all dissent and information at gunpoint. Then they merrily and blithely watched their proud KGB spy return the nation at breakneck speed to the same condition of blind willful ignorance that brought down the USSR.
America is full of people, including powerful elected politicians and major international media outlets, who upon hearing foreign criticism are only too ready to accept it and to call for responsive change. Right now, major party candidate Barack Obama is running on just such a platform, and could well be elected. And America stands astride the world like a colossus, the world's only superpower, with an economy more than ten times larger than Russia's and a growing population twice Russia's size.
Russia, by contrast, pokes its head into the sand like a witless ostrich, has a plummeting population and an economy where a person is lucky to earn $4 per hour as a wage and teachers earn less than half that amount.
Will Russians never learn? Will they go on repeating their barbaric behavior until they have utterly destroyed not just their country but their entire civilization, ceding it to the Chinese to be erased forever from human memory?
We are afraid they will.
Last week the White House website posted a message from President Bush in honor of "Captive Nations" week. Bush stated: "In the 20th century, the evils of Soviet communism and Nazi fascism were defeated and freedom spread around the world as new democracies emerged." (Similarly, Lithuania recently enacted a ban on the display of Soviet and Nazi symbols, treating the two the same.) The Putin regime rushed to defend Soviet communism, attacking Bush for attempting to "feed the efforts of those, who for political and selfish ends are striving to falsify the facts and rewrite history." In other words, the Russian state is repeating the Soviet propaganda lie that Sovietism wasn't just as bad for Russia as Nazism was -- even though it was Sovietism, not Nazism, that actually destroyed the USSR, and Sovietism that killed far more Russians.
Russia can't manage to understand how the people of Eastern Europe see the advance of Soviet troops to defeat Hitler, either. They, too, are hard pressed to see any difference between Nazis and Russians. After all, the Russian troops enslaved them for a far longer period of time than the Nazis did. It can't manage to understand, as Germans have done, the need to confront their dark past and take aggressive measures to make sure it is not repeated. Instead, Russians seek to bury, twist and pervert their past into a mythology of heroism. Russians leave memorials to Stalin's Gulag to foreigners, and elevate Stalin to cult hero status. They are, it should be remembered, still using the melody of the Soviet national anthem, a tune written to glorify Stalin. It will play when Russians are awarded medals at the Bejing Olympiad.
No country can survive this level of extreme barbarism.
NOTE: Today we offer a devastating series of reports (2-5) showing how Russia's dramatic turn to a bear market in securities mirrors a wide array of serious ecnomic perils in the economy itself, from Soviet-style anemia of production to outright corruption. This provides still more support, including editorials from the Wall Street Journal and the Times of London, for the pair of editorials we ran last week (LR is always ahead of the curve!) on this subject. Can a nation enjoy market economic success while being governed by a proud KGB spy? Of course not. Only a Russian could imagine otherwise.
NOTE: Kim Zigfeld's latest installment on Pajamas Media details the latest facts indicating that the Kremlin is engaged in politically-motivated murder campaigns to advance its interests, and pointing out that these murdering thugs are licking their chops in anticipation of an Obama presidency.
EDITORIAL
The Russian stock market lost nearly 6% of its value last Friday as a rabid, frothing Vladimir Putin launched another one of his crazy Stalin-like diatribes against Russia's "enemies" -- this time Russian steel maker Mechel (whose shares lost nearly half their value).
An editorial in the Times of London:
Russian stocks are in freefall, spooked by threats of anti-trust inquiries by Vladimir Putin, the Prime Minister, falling oil prices and the chicanery over TNK-BP. Foreign investors have been patient optimists, preferring to turn a blind eye to the mounting chaos in Moscow while keeping a steady gaze on commodity price indices. Yesterday, they lost their bottle and began to sell - and the selling may continue. It is a reminder that reputations built over several years can be lost in a day.
The irony is that among those who will suffer badly from the sell-off are three individuals whose activities provoked a major cause of the loss of confidence: Mikhail Fridman, Len Blavatnik and Viktor Vekselberg. Their successful effort to evict Bob Dudley, the BP-nominated head of TNK-BP, has undermined a bull run fuelled by petrodollars and little else. It is important to understand that the three oligarchs are looking for a profitable exit - they want their money offshore. They have clamoured for bigger dividends from TNK-BP. A Eurobond prospectus issued by Renova, the holding company for Mr Vekselberg's assets, said that the group would seek to diversify away from Russia and from its oil and metal assets. Cash from TNK-BP, some $18 billion over five years, has flown out of Russia. Mr Blavatnik has built a chemical empire in Europe and America, buying Basell, the world's biggest olefins business, from Shell and BASF. Mr Vekselberg has taken over Swiss engineering firms.
Investors in Russia should not forget the cash cow was a political gift. Tyumen Oil, the TNK half of the joint venture, was sold by President Yeltsin to his friends for a song, some $800 million in 1997. It has since been spitting out dollars at a fantastic rate, funding not just investment outside Russia but providing respectability and adulation in high places. Mr Blavatnik is on the Board of Dean's Advisers at Harvard Business School. Mr Fridman is on the advisory board of the Council on Foreign Relations, a US think-tank.
For years, the notion of oligarchs as loveable rogues has held sway, akin to America's early robber baron capitalists. However, the latter built their businesses from scratch - Rockefeller created Standard Oil. Tyumen Oil was an outrageous gift and as the RTS stock index tumbles, one wonders when these not very loveable men will return the favour.
EllliotWave International adds the following (including the chart above):
If Russia’s RTX Index is in a bear market, as Bloomberg reported today, then what’s next for the nation itself? Worrisome headlines about Russia in the past few weeks are sending clear signals that Russia’s collective social mood is worsening. But without the proper perspective, you don’t know how much importance to give those signals. Our study of socionomics – the new science that explores how changes in social mood affect financial markets and society -- shows that large trend changes in social mood are signaled long before the turning point, first by stock markets, and only later by headlines.
[Last week], the Russian RTSI Index took its biggest hit since January 21. It is now down almost 22% from its May 19 high. The surly social mood is steadily worsening, much as we predicted in our November 2007 Global Market Perspective Special Report, Sizing up a Superpower: A Socionomic Study of Russia. The report begins like this: “Our long-term Elliott wave count for the Russian stock market indicates that a major top is imminent.”
[The chart above] shows the 22% decline from the May 19 peak. And we’ve also gathered some July headlines and quotes about Russia that reflect the deterioration in Russian social mood. Take a look at these stories and get a sense of the feelings they express -- fear, belligerence and xenophobia, for example – as negative social mood accelerates.
"One of the largest state-sponsored monuments to the Gulag, this monument sits atop a hill in Astana, the capital of independent Kazakhstan. It incorporates the names of all the major Gulag camps in Kazakhstan, images of barbed wire and the black raven (symbolic of the prisoner truck bearing its name). Many of the non-Russian republics of the former Soviet Union have more readily dealt with the legacy of the Gulag, as they have built it into a narrative of what they (the Russians) did to us (the non-Russian peoples of whatever state). Of course, this simplifies a very complex history in many cases, but at least allows for the beginning of a conversation."Where is the Russian Astana?
Carrying bags of stolen groceries, Oleg Vorotnikov takes out the batteries of his mobile phone before entering the secret headquarters of his underground art collective on the outskirts of Moscow.
"This is to prevent the cops from listening in," said Vorotnikov, a 29-year-old art graduate, who with other politically conscious artists co-founded the Voina, or War, collective in 2007. "Once a drunk artist introduced us to bystanders as 'Russia's main radical group' -- that's when I understood that we have to do something together," Vorotnikov said.
In a country where traditional opposition to the government has been dulled by public apathy and a diet of pro-Kremlin television news, these artists take a different approach: they poke fun at the establishment, and the more absurd the better. They hunch over laptops in their headquarters -- a garage -- editing video of their latest piece of guerrilla street theater: an impromptu tea party in a police station. For the lack of chairs they sit on chests of drawers and a TV set. Cameras, camcorders and books of poetry are scattered over the floor.
"We always do things that violate rules. We combine art and politics to achieve something new," said Kotyonok, a slightly built young woman who teaches physics at a Moscow university and who only gave her nickname, which means kitten. "People watch us and are simply shocked."
Voina became a household name in the Russian blogger scene with a stunt intended as a wry commentary on the handover of power -- decried by opponents as undemocratic -- from former President Vladimir Putin to his successor, Dmitry Medvedev. A day before the presidential election that Medvedev won by a landslide, five couples, including one heavily pregnant woman who gave birth four days later, secretly undressed in Moscow's Biological Museum. With video cameras rolling, they had sex in front of a banner calling for copulation in support of "the bear cub-successor" - a pun on Medvedev's family name, which is derived from the Russian word for bear.
EVICTED
Blogs carrying photos and videos of the event shot to number one in Russian Internet rankings within 24 hours. Some users called the participants "freaks," "sh--eaters" or "animals." One blogger suggested they should be shot. When the mother of the pregnant woman saw her having sex on television, she threw her out of home. Voina said they had to leave their old headquarters under pressure from the authorities but few members have yet to face the full weight of the law for their activities.
The group is most vulnerable to the catch-all "hooliganism" charge that could lead to a short prison term, but only one member is currently facing prosecution for throwing cats during one performance. Voina's actionist art draws on Moscow Conceptualism, a movement that started in the 1970 with performances subverting socialist ideology. Given the repressive nature of the Soviet state, these happenings had to take place secretly.
Only when state control over the arts receded during Mikhail Gorbachev's perestroika reforms in the 1980s could artists take their events into the public sphere. In April 1991 members of a group around Anatoly Osmolovsky, a Russian artist, art theorist and curator, lay down on Red Square forming the word "khui," Russian for cock, with their naked bodies. Voina members describe the happening as inspiring but add that it would be impossible today in an "authoritarian Russia" where, nevertheless, they have earned the respect of some in the mainstream art scene.
"In the '90s art fell under the influence of a society that was becoming more and more bourgeois: artists happily turned into conformists," said Andrei Yerofeyev, who until last month was head of modern art procurement at the state-run Tretyakov Gallery. "Only in the last year a strain of protest art reappeared, one that takes a critical line, reflects, takes a step back and sometimes cynically, sometimes comically, describes what is going on in our society."
Back in the Voina headquarters the activists scramble around a laptop computer trying to improve the sound of their latest video to make it fit for Internet publication. Shaky images, filmed with a hidden camera the day before Medvedev's inauguration, show the artists dishing out cream cakes and tea in a police station. Watched by a stunned officer, they pin Medvedev's portrait to a wall. "We invite you to celebrate with us the inauguration of the new president," one activist can be heard saying. Attempting to remove the intruders, the officer resorts to verbal abuse. "We have to fix the sound, you can't hear anything," said Kotyonok, twitching the dials on the video- editing software.
UNDERGROUND WAKE
In another piece of performance art, the group rigged up a table in a metro carriage, brought out food and vodka and held a wake for absurdist poet Dmitry Prigov. They also marked international workers' day by going in to a McDonald's restaurant and throwing live cats at the counter staff. The idea, they said, was to help snap the workers out of the dull routine of menial labor. Behind the bizarre stunts, the artists who make up Voina have a serious political agenda. "If the authorities say 'we are building a strong state,' an artist should show that this is not the case. If they say 'we are improving the lives of the people,' an artist should show that this is a lie," said Vorotnikov over dinner, tearing off a hunk of the chicken he earlier stole from a supermarket. But they say their work is also a journey of self-discovery, to see how far they can push their own boundaries as artists and radicals. "We hate cops but if we just attacked them like that, they would jail us immediately. So we hide our hatred behind art so they can't get us and we achieve our aim quicker," said Kotyonok.
The authorities have dealt harshly with overtly political opposition but to date there has been no sign of a crackdown on Voina. Acting under the aegis of art protects them to a large extent, she said. "We've had sex in public and are no longer scared of it. We've invaded a police station and are no longer scared of it. What else is there to scare us?," asked Kotyonok. "Death we will deal with in the future. Soon we will be completely fearless."
A couple of years ago I was in the Battle of Stalingrad Museum in the city now known as Volgograd.
On the wall of museum director Boris Usik’s office hung two paintings, one a delicate watercolour of the late Queen Mother, the other a heroic depiction of Josef Stalin in oils.
Seeing the old tyrant hung so prominently in a state official’s office was unnerving at the time. While the odd statue of Stalin had been restored in a couple of village squares, the man who subjected Russia to 31 years of terror had largely disappeared from public view.
Yet over the past couple of years it has once again become cool to revere Stalin, and so it was not much of a surprise to learn that the dictator responsible for perhaps 20 million deaths was leading early voting in a nationwide poll to decide the country’s greatest historical figure.
Even during his lifetime, Stalin enjoyed more public support in Russia than many in the West realise. After all, those who opposed him were dispatched to the gulags or their deaths. Others were terrified into silence.
But then, as now, a sizeable chunk of the population either swallowed the propaganda or genuinely believed that Stalin had reinvigorated a moribund nation, turning in to a great power while simultaneously saving Europe from Hitler.
For old Communists like Mr Usik, Stalin’s name is synonymous with stability in a country that has not had much of it of late. What has struck me, however, is Stalin’s cross-generational appeal. I’ve even heard bright young students praise his disastrous agricultural collectivization policies. Most Russians, even his supporters, acknowledge that Stalin had an awful lot of blood on his hands.
But they argue that it was a period in history when Russia needed a tough man at the top. And they argue that there is much more on the positive side of Stalin’s ledger, particularly in the Great Patriotic War.
While the Soviet Union’s role is often minimized in the West, many Russians are unaware of the role played by Britain and the United States in defeating Hitler. They believe the Second World War only began in 1941 and maintain that Russia fought alone for three years until Britain and the United States reluctantly joined the war during the D-Day landings of 1944.
Yet the fact that Stalin’s popularity has also grown in recent years – something attested to in opinion polls – is undoubtedly partly to do with an unofficial state campaign to rehabilitate his image.
A series of television documentaries, films and books released in recent years have proved little less than eulogies. Then the Kremlin began to attack the publishing industry for being beholden to Western grants.
Television news programmes, whose content is dictated by the State, regularly reported that the history text books used in schools had been distorted by the West to skew the representation of Russia’s Communist past.
So a new history guidebook for teachers was published last year which glossed over Stalin’s crimes and ultimately declared him Russia’s greatest leader of the 20th century.
Despite earlier denials that anything of the sort was planned, the work was republished as a children’s text book and while it has not become a mandatory set text most schools know they risk trouble if they try to teach from anything else.
Why is the Kremlin so intent on rehabilitating Stalin? Garry Kasparov, the former chess giant and opposition leader, reckons that by hamming up Stalin’s greatness, Russians will be more inclined to forgive the government’s march towards authoritarianism.
After all, as the old dictum states, he who controls the present controls the past and he who controls the past controls the future.